THE CONCEPT OF CULTURAL GENESIS ACCORDING TO KANT’S AESTHETICAL VISION – 2016-3

The process of the classification of art

Summary

Slavi-Avik M. Harutyunyan

Key words – M. Kagan, E. Kant, A. Baumgarten, Art -1, Art-2, Dichotomy of art, Cultural genesis, Ancient culture, Morphology of art, New era, Fine arts, Muse, mysticism.

The following article discusses various ways of the interpretation and classification of the concept of ‘art’ in the process of Cultural Genesis, from ancient times to the 18th century of the Kant system. Talking about the culture of Antiquity, the role of art in public life is mentioned, not only as an aesthetic phenomenon, but aslo its different functions are taken into account: educational, ideological, etc.. The interpretation of ancient authors about the role of music and poetry in the upbringing of a person is examined. The role of art in the formation of an ideal State in Plato’s philosophical views is emphasized. Certainlly, in antiquity art was not perceived as a mere phenomenon of culture, but inner division of different types of arts accured. Having analized E. Kant’s ideas (in the work “Critique of judgment”), eight different meanings, in which E. Kant uses the term “art”, the interrelationship between them (via constraint concept), as well as the basis of the morphology of Kant’s art are underlined. In the process of the present research scientific methods, adequate set of research tasks were used, in connection with its object and purpose: comparative analysis, synchronous and diachronous analysis, historical reconstruction method, method of systematic and structural analysis, etc. A special role played in the work the semiotic method.

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