Mary V. Hovhannisyan
It is indisputable that the study of speech art of the writer’s creative work is closely related to the period of regularities typical for both national and fiction languages. It touches upon the main features, ways and prospects of their development. On the one hand, works of the leading speech masters specify not only the development tendencies of literature, but also the national language. On the other hand, it is not enough to study thoroughly the period, literary trend that the writer followed, type and genre of the writer’s creative work.

It is necessary to study the language and the style of the writer. To study the speech art of the writer’s work means to introduce the individuality, which is specific to the author, to identify the peculiarities of the writer’s style by having the literary language as a starting point.

Teryan was very skillful to apply various opportunities of different stylistic layers of Armenian literary language vocabulary, word meaning and usage. The uniqueness of poet’s speech art is the in word-selection art that obviously reflected in the meaningstylistic specific usage of cooperative words. Parallel to stylistic delicate sense of cooperative words, terms of non-active word-layers also get peculiar display. Ethnoverbal and dialectical words, comparisons, phrases which are not specially popularized in Teryan’s speech characterize amazing figurativeness of things and phenomena. Archaism and barbarism are characterized on the basis of stylistic-expressive usage. As neologisms give his poetry a unique colouring, they are quite important for profound understanding of Teryan’s artistic manner. Word-forming models of V. Teryan’s neologisms are particularly important for the formation of new verbs: the unusual use of some suffixes are also rather unique. Special attention is paid to the examples of neologisms in the field of semantics and unusual meanings that Teryan gave to neologisms created by his predecessors. It is difficult to overestimate the stylistic significance of neologisms and their role in his art. One of the factors of Vahan Teryan’s speech art uniqueness is the word-selection art obviously reflected in the meaning-stylistic specific usage of ethno-verbal and dialectical words. Ethno-verbal and dialectical words, comparisons, phrases, which are not specially popularized in Teryan’s speech, are characterized by amazing figurativeness of things and phenomena. Ethno-verbal and dialectical words which have their suitable verbal place create the sonority of the paragraph, the rhyme and the whole poem.

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