To the 200th anniversary of the birth of Fyodor Dostoevsky

Petros H. Demirchyan
The influence of Fyodor Dostoevsky’s personality and his work on the development of Russian and world literary-scientific thought is enormous. Of course, Armenian literature is not an exception with its two historically formed branches The article refers to the case of two original authors representing the above-mentioned branches of Armenian literature: Raffi (Hakob Hakobyan, s/o Melik) and Yeghia Temirchipashyan, who in that sense, we consider, need more comprehensive, complete elucidation. At the heart of the monitoring mainly is the problem of the relationship between the national and the universal of literature, which gives the opportunity to examine the work of a national writer in interaction with world great minds. There can be no doubt that Raffi’s famous works, being the most powerful expression of the life and destiny of the Armenians, provided him with the right of being called “The Armenian national novelist” (A. Chopanyan). Nevertheless, Raffi’s work was also viewed in the broader context of the world literature of his time. He created characters,
which, under the national image and essence expose the soul and psychology of the human being in general. In this sense, the character Godfather Petros of the
“The Diary of a Khachagogh (Cross-thief)” with an equally cruel philosophy that contradicts the irrational laws of a society that undermines the very essence
of the human being: “I am like an evil spirit must punish people’s injustices only with injustices…” directly relates to Dostoevsky’s question in which the
essential thing is whether there is a goal that justifies the right to punish the perpetrator by depriving him of his life. F. Dostoevsky, by Raskolnikov, the
hero of the novel “Crime and Punishment” raises the issue of Conscience. Some of Raffi’s heroes are also forced to commit evil – murder and they try to
justify it with the idea of self-defense having a natural historical basis. However, in many cases, the problem goes beyond that and enters the field of
defense of the people and the homeland. In the novel “Samvel”, Samvel kills his parents because they betrayed the most important sacred things – the nation
and the homeland.

In creative parallels of F. Dostoyevsky and Raffi the issues of crime, punishment, conscience and human relations, national history, search for ways of the future are also crucial.

As for F. Dostoevsky-Y. Temirchipashyan creative parallels, at least two key factors can be considered here: the similarities between the personal nature and biography of the writers and the dominance of the Philosophy of Suffering, which, in fact, had a profound effect on their work. But divine providence finally decided, as if in spite of all this, at least in the last years of the life of great writers, to open a window of consolation before their sufferings. And just as Anna Snitkina for Fyodor Dostoevsky, likewise Ellen Nissen for Yeghia Temirchipashyan were real “guardian angels”, they were able to keep, preserve and comfort their suffering souls and hearts.

The mentioned circumstances, as a whole, give grounds to speak about not only the national, but also the universal standards and values of the creative thinking of F. Dostoevsky, Raffi and Ye. Temirchipashyan.