Dedicated to the Memory of Leonardo da Vinci
Shushanik G. Zohrabyan-Doctor of Philosophy (PhD) in Arts
The theme of the composition, the search of his own ways in art are quite clearly expressed in the oeuvre of jeweller, engraver Ara Ghazaryan. Ara Ghazaryan’s art is in touch with the Armenian and fine arts in general. This is where the vivid imagination, simplicity and immediacy of his worldview originate. When starting a new artwork, he elaborates on the sketch, finding the appropriate silhouette and layout, achieving a complete acquistion of form and content.
Such is the composition entitled “Temple” (2019), which is distinguished by its artistic features and technical qualities, whose unique form of composition derives from its content. It consists of 108 pieces, made of 18 and 22-carrat gold and silver “Argentium”. Armenian apricot wood has also been used. The height of the “Temple” is 108 mm and the width is 45 mm. Ara Ghazaryan has performed the artistic processing of his artwork by enameling, using partitioning, relief and ornamental methods. The four sides and the top of the dome are crowned with red rubies and three rows with 18 encrusted diamonds in each row, represented in Ghazaryan’s favourite shapes, octagonal and round. The dome also has 18 windows. The harmonious choice of colors is made with the relations of red, blue, green, and gold.
Ara Ghazaryan’s worldview is reflected not only in his creative expressions and means, but also in their significance and application. Ghazaryan has covered the temple with glass, and placed a microscope under the dome, which allows you to see the smallest chessboard in the world. His own creation, included in the Guinness Book of World Records (2017; 6.5 gram, 15.3×15.3 mm dimensions) made of 18K white and yellow gold and Brazilian cherry wood. The biggest of the chess pieces are the King and the Queen (each 4.8 mm, with diamond removable crowns), and the smallest are the soldiers (2.3 mm each). Four more diamonds lie at the base of the chess board.
Ara Ghazaryan has placed the “Temple” in a hand, drawn in the shape of a unique ornament and graphically delineated with fine lines of Mount Ararat (made of silver “Argentium” and placed on lapis lazuli stone), which has become a unique pedestal for the “Temple”.
He made what is considered to be the most complex and technically very variable part of the human body. Ara Ghazaryan delivers a powerful message to the viewer. The hand is not here just as the main tool of creation, but also as an important focus of representation, which has an esthetic and symbolic contents. The power in the hand is the power to love, to hate, to create, to destroy. For Ara this is the Hand which creates miracles since the beginning of human history and gives it to civilizations. We can also say that with this Hand Ara Ghazaryan also pays tribute to Leonardo da Vinci.
The thematic-compositional artworks are the vivid expressions of the clear thinking, style, artistic language of Ara Ghazaryan. Each of his created item becomes a miracle of handmade work, not just an object, but also a spirit or character that has an amazing emotional impact on the viewer.