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THE DIARY OF THE LAST YEARS OF LIFE – 2017-2

Summary

Margarita M. Khachatryan

Key words – Hamastegh, Hakob Khashmanyan, Aram Haykaz, concerns of Diaspora Armenians, faith in the future, nostalgia for the homeland, special message to the Armenians around the world.

Hamastegh is one of the prominent figures of Armenian literature in the Diaspora. His rich literary heritage after a whole century makes the reader happy with new ideas. Fortunately, the archive and most part of the books in Armenian of the writer’s library are kept in the Yeghishe Charents Museum of Literature and Art,, Thanks to that it is possible to reach a better understanding of the writer’s inner world through his letters, and to see the origin of his nostalgia that is hard to translate into other languages. Aram Haykaz and Hakob Khashmanyan were friends of Hamastegh. Hamastegh and Hakob Khashmanyan were members of ARF Dashnaktsutyun, and Aram Haykaz was an active supporter, but they skilfully avoided party political barriers, and noted with satisfaction the positive changes that took place in the Soviet Union. However, Hamastegh could not fulfill his dream and he never saw his country in the shadow of Mount Ararat, which is part of the homeland of Armenians, but he was always writing and speakng with pride about the efforts of the Armenian people to preserve and enrich their identity and culture.

In the autumn of 1966, the 70th anniversary of Hamastegh and the 70th anniversary of his literary activities were celebrated. Hamastegh participated in three jubilee events. At this time, the writer was concerned about the guests who came from Soviet Armenia to visit him. The letters will help the reader to understand the problems and disappointments of Armenians living in the United States, as well as their faith in the future of the Armenians.

THE ORGANIZATION OF MILITARY–INDUSTRIAL COMPLEX IN ARMENIA DURING THE FIRST YEARS OF THE INDEPENDENCE (1991–1993) – 2017-2

Summary

Karen H. Khachatryan

Key words – Republic of Armenia, military-industrial complex, military-industrial Commission, manufacturing, weapons, ammunition, military equipment.

During the first years of Armenia’s independence the authorities have mainly succeeded in forming a quite flexible system of management of the MIC (military–industrial complex), which contributed to the organization of military production and its development within the country. In the conditions of blockade, socio-economic crisis, war activities the MIC enterprises produced and provided the army with a large amount of weapons and ammunition, military equipment and uniform, renovated and equipped military equipment, etc., thereby greatly contributing to the glorious victory of Armenians in Artsakh war, as well as in the strong defense of newly–independent Armenia’s borders.

THE ISSUE OF OVERCOMING THE CONSEQUENCES OF THE ARMENIAN GENOCIDE – 2017-2

Summary

Armen.Ts. Marukyan

Key words – Overcoming of consequences of the Armenian Genocide, Road map, Republic of Armenia, Armenian Diaspora, Ottoman Empire, Turkey, Arbitral award of Woodrow Wilson, Treaty of Sevres, Treaty of Lausanne.

Recently have begun to extend opinions on allegedly impossibility of process of overcoming consequences of the Armenian Genocide because of lack of mechanisms and methods of realization of this process have begun to extend. Willy-nilly the problem becomes primitive by similar reasonings, discussion of a question is transferred to unscientific, household level, than, in fact, the idea of compensation for the Armenian Genocide depreciates. Meanwhile, if not to go into extremes and to be guided by realistic concepts, then it is quite possible to find rational solutions of this problem. On the basis of historic facts, norms and the principles of international law, and also in particular on a precedent on which compensation to the Jewish people for Holocaust consequences is still carried out, it is quite possible to develop certain tools, methods and mechanisms of realization also of compensation for Genocide to the Armenian people. In this article are offered certain methods and mechanisms of overcoming territorial, cultural and civilization, material, and also moral and psychological consequences of Genocide made concerning the Armenian people.

“THE CASE OF DASHNAK TERRORISTS” – 2017-2

Summary

Ararat M. Hakobyan

Key words – ARF Dashnaktsutyun, CCK (b)PA, N. Aghdjagala, Manuk Khushoyan, secretary of the village council, murder, Supreme Court of the ASSR, trial, F. Ashrafyan, P. Sinoyan, S. Stepanosyan, defendant, expulsion, political persecution.

After Armenia became a Soviet republic, the Communist Party began to pursue dissident political parties and, above all, the most influential Armenian party – ARF Dashnaktsutyun. One of the ways to achieve the dissolution of the party were the trials where the party was accused of organizing terrorism. For these purposes, a high-profile trial was organized and conducted at the highest level in connection with the murder of a small official, the secretary of the council of one of the villages of Armenia – M. Khushoyan. In fact, the murder was committed on the basis of domestic problems and personal enmity, but it was given a political character, attributing it to the ARF Dashnaktsutyun governing members, in order to discredit the party and accelerate its disintegration. But a study of the materials of the case and the trial shows that the political color of the case is artificial and unjustified.

HOVHANNES TUMANYAN IN THE MAELSTROM OF THE GENOCIDE – 2017-2

Summary

Susanna G. Hovhannisyan

Key words – Hovhannes Tumanyan, Echmiadzin, refugees, orphans, genocide, diaries, drafts, records, children, Nvard, Satenik Ohanjanyan, Western Armenia, Van, Alashkert, Erzrum, Mush, Berkri, Tiramerik, Abaga, Khndzorken, Bitlis, Datvan, Panchi, Manazkert.

The article introduces a few episodes of Tumanyan’s activities in Echmiadzin during the period of the Armenian Genocide, particularly August-September of 1915. Tumanyan’s diaries kept many testimonies about the life of orphans and refugees sheltered in Echmiadzin during that period.

Heroism of a teacher Hakob Jrbashyan and Arpiar Safrastyan to save 300 children of a bording school of Varag is represented, the incidents, which took place while migrating to Igdir from Shatakh, Archesh, Van, Alashkert, Erzrum, Mush and other regions of Western Armenia, as well as description of massacre which took place in Gortsot, Tiramerik, Abagha, Berkri, Khndzorken, Bitlis, Mush, Datavan, Panchi and other places are represented. There are also facts about material losses of the Armenian people in Manazkert and Western villages: statistical data about the refugees who had become victims of epidemic during a month in Echmiadzin, which are expressed in Tumanyan’s telegrams sent to the Armenian National Bureau.

18 out of 100 articles of literary-critical, political-public nature written by the poet during the period from 1914 to 1918 remained unfinished and in draft condition which often remind records. Today these drafts have also value of ratification: they express testimonies and thoughts of the poet as a witness of Genocide. The author emphasized horrors of Genocide and created an image of human-beast.

The poet’s orphan-protecting activities started in Echmiadzin which continued until the end of his life. In February of 1920 by the initiative of Haskel / High Commissioner Colonel of Allies (appointed in summer of 1919) / Armenian Orphans and Refugees Subscription Committee was formed and Tumanyan was elected as chairman.

Tumanyan’s selfless bravery and multi-layer devoted activities carried out during Genocide period are considered to be a striking example of humanity and patriotism in the history of all nations.

LEOPARD AS THE SYMBOL OF THE KING – 2017-2

Summary

Sargis G. Petrosyan

Key words – Armenian highland, king, epic hero, leopard, leopard skin, etymology, taboo, anagram, man, morning, the vernal equinox, New Year, offering, arrow, noose, chamois, pictography

The leopard’s mythological image is the famous zoomorphic symbol of the ancient Mideast legendary king which was associated with the leopard and was drawn primarily on the leopard, afterwards in the leopard’s skin. As informed by Movses Khorenatsi, the Midian king Azhdahak, the rival of the Armenian King TigranYervandian (VI c. B.C.), told that he had the following evil dream: in the country of Haykids (i.e. Armenia), on the top of a high mountain (mount Masis – Big Ararat is meant) a beautiful woman (Mother Goddess is meant) gave birth to three godlike heroes, the first of which headed towards the West, riding a lion, the second, on a leopard, headed for the North, and the third attacked Midia, bridling a dragon.

In the Indo-European poetic texts of mythological nature the ancient poets chose the words so as to reproduce the sounds of the heroes’ names or the epithets of the characters the poem (hymn) was dedicated to. In the ancient Armenian poem about the New-year death desire of the Armenian King ArtashesPartev (told by GrigorMagistros) the person of the hero-king as a male-leopard was coded via the anagram. On one of the rock drawings on mount Ukhtasar in Syunik (pic. 3) the hunter is standing on a leopard. He is armed with a bow, arrows and a lasso, that is to say as a neolithic foot hunter – the prototype of the hero-king. His figure/ body is drawn on the central part of the stone and is surrounded by wild she-goats (on the left stone) and he-goats (on the right stone). The drawing represents the motives of the ancient Armenian myth about the ritual new-year hunting of the King-Leopard.

THE IDEA OF HISTORICAL (IN)JUSTICE AND THE APOCALYPTIC TRADITION – 2017-2

Summary

Naira Zh. Mkrtchyan

Key words– historical (in)justice, discourse, apocalyptic eschatology, time, event, truth, delusion, the nodal point

There are close interconnections between the Jewish-Christian understanding of history, apocalyptic tradition based on the procedures of distinctions between truth/delusion, good/evil, friend/enemy, justice/injustice and the idea of historical (in)justice. The concept of ‘justice means to give each his due’ is at the foundations of the idea of historical (in)justice. It is enormously important with regard to the present predominant public discourse in Armenia and its practical implications as the idea of historical (in)justice plays the role of a nodal point in that discourse. As a nodal point it partially and temporarily fixes the meanings of all so-called floating signifiers-security, democracy, social justice et c. Depending on that fixations and actual meanings social reality is not only represented in a certain way but also provides an amplitude of social opportunities and restrictions.

THE WORD IN CHARENTS’ “I LOVE MY DEAR ARMENIA…” POEM – 2017-2

Summary 

Tadevos V. Tonoyan

Key words – words, context, textual logic, contextual logic, abstract, tangible symbols.

Charents’s attitude toward word (language) is one of the main realities in Armenian lingual-thinking and value system. Due to intertextual logic, it was considered for a while that in the text of Charents there was the word “harvest” instead of the word “word”. It is understandable that the “harvest” is a more tangible symbol than the “word”. However, in the context of the Armenian language, the word “word” seems more logical.

HAKOB PARONYAN AND ARISTOTLE – 2017-2

Sammary

Arsen M. Gljyan

Key words – Paronyan, Aristotle, philosopher, culture, Aristophanes, tragedy, comedy, mimesis, catharsis, Goldoni, Boileau, Moliere, Shakespeare.

Paronyan, like Goethe, understood that it is necessary to learn from Shakespeare, Moliere, Boileau, but above all among the ancient Greeks, since their knowledge and experience are an important criterion for humanity. He learned a lot, studying ancient Greek mythology, legends and myths, as well as the heritage of artists and theorists of art. Among the theorists of Greek art, Paronian’s special attention was attracted especally to Aristotle. Artists of the Ancient World – Homer, Aeschylus, Sophocles, Euripides and others, reviving the appropriate artistic forms, made the theory of classical folklore of a more serious nature, and Aristotle summed up the experience and ideas of all of them.

Paronyan learned a lot from Aristotle, but never imitated him. The younger generations are generally involved in literary culture, appropriating the experience and knowledge of various cultures, but they compose on the basis of a clear understanding of folklore, which is the result of a person’s psychologic development. Paronyan, having passed through the Aristotelian readings, using his knowledge as a methodological index, built his own individuality and created his immortal works on his own heights of the folklore genre.

WESTERN CANON OF HISTORIOGRAPHY IN HELLENISTIC ARMENIA – 2017-2

Albert A. Stepanian
The western canon implied rational perception of history with a purpose formulated still by Herodotus as follows – to find out how, when and why (pw~§, potev, dia; tiv) happened important events of history [Herod., I, 1, 1].1 Efforts of Herodotus and his close contemporaries reformed the logographic genre of storytelling in an area of rationalistic study and explanation of the past. In accordance with this approach, the term iJstoriva was coined for denoting investigation in its proper sense.2 From this time, the image of historians gained a particular social significance since the investigation of the past (despite pure curiosity) pursued practical interests.