Tag Archives: eschatology

DOI: 10.57192/18291864-2026.1-100

THE DISCURSIVE FUNCTIONS OF BIBLICAL INTERTEXT AND THE ESCHATOLOGICAL TURN IN CONTEMPORARY ARMENIAN PROSE (A Case Study of Arpi Voskanyan’s Not for Sale Collection)

In contemporary Armenian prose, biblical intertext functions as a vital mode of expressing the value crisis and as a carrier of cultural memory, manifesting itself through the deconstruction of biblical characters and narratives. In literary studies, this function of biblical intertext is closely connected with eschatological thinking (eschatology), as it enables reflection not only on the idea of the end of the world or of history, but also on the collapse of meaning systems, the crisis of faith, and transformations in value structures. In this sense, eschatology in contemporary literature ceases to be a purely dogmatic or theological concept and is transformed into a textual and metaphorical tool through which shifts in the value systems of the modern world and the modern individual are articulated.

From this perspective, the prose of Arpi Voskanyan is particularly noteworthy, as biblical intertext appears there as a bearer of a cultural narrative that is subjected to critique, distortion, and at times ironic or parodic re-evaluation. The Bible thus functions not as a sacred authority, but as a framework of collective memory through which the changes and distortions present in contemporary life are revealed.

ON THE GENRE AND TERMINOLOGY OF REVELATORY TEXTS

This article explores various methodological approaches to studying apocalyptic visions and revelations, focusing on the challenges of genre classification and terminology within medieval Armenian texts. It examines how terms such as haytnutʿyun, tesil, and tesilkʿ appear in manuscript titles and are used in scholarly discourse. By analyzing their usage in both primary sources and modern scholarship, the study highlights the ambiguity these terms can create when attempting to define the literary nature of a given text.

The article argues that, while preserving the traditional terms associated with specific texts is important for purposes of identification, genre studies benefit from applying more precise classifications—such as the “apocalypse,” as defined in modern scholarship. These carefully drawn distinctions help differentiate between texts that may share thematic elements but differ in structure, content, or mode of revelation. Clarifying the genre and type of a text contributes to a better understanding of its place within the broader literary tradition, facilitates comparative analysis with similar works in other traditions, and supports a more systematic approach to the study of medieval Armenian revelatory texts.